Zara Larsson’s Dsquared2 Open Jacket Hangs on a Hook With Micro MiniskirtEvolve EditorsMon, April 27, 2026 at 12:06 PM UTC

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Photo Credit: John Shearer/Getty Images for The Recording Academy

Zara Larsson isn’t slowing down anytime soon, and her latest New York Times feature proves it. Fresh off a high-energy Coachella headline set and a bunch of buzzy brand collaborations, the pop star steps into a new phase of visibility, one that feels both polished and playful. Rather than leaning into predictable editorial styling, Larsson’s look reads like a confident mix of archival fashion and modern attitude. This sets the tone for what feels like her “second act.”

Zara Larsson boldly pairs Dsquared2 open jack with micro miniskirt for NYT

For the shoot, Zara Larsson wears an open archival jacket from Dsquared2’s Spring/Summer 2005 collection. The jacket is left intentionally undone, hanging loosely and fastened only by a small hook, giving it that slightly undone feel. Its structured tailoring contrasts with the playful detailing. Bold orange piping traces the seams while statement buttons, some shaped like crabs, add a quirky element that feels very Y2K. The deep neckline created by the open front subtly shifts the piece from classic tailoring into something far more daring.

The singer pairs it with a micro mini skirt from the early 2000s Miu Miu, sourced from an archive. She leans fully into the revival of ultra-short hemlines. The skirt’s vivid orange tone and ruffled edges bring movement and contrast, while bright turquoise tights underneath add an unexpected pop of color. The layering feels intentional yet effortless.

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Accessories play into the statement styling without overwhelming it. Chunky, glossy bangles and oversized hoop orange earrings echo the color palette of her skirt. This brings playful energy to the outfit. Her glam stays relatively clean in comparison, with soft waves, glowing skin, and a neutral lip, allowing the styling to take center stage.

Styled by Sarikka and sourced from Allison’s archive, the look feels like a curated lesson in mixing eras. It is nostalgic without being costume-like. Larsson’s New York Times m

Originally reported by Viha Shah on theFashionSpot.

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